As he took the podium at Liberty University Convocation on Monday, Franklin Graham urged students to drop their excuses and take up metaphorical nets to become “fishers of men,” just as Christ called His disciples to be.
“There are always excuses, there are lots of excuses, but (God) wants obedience,” Graham said. “When you obey, and when you follow Him, and when you serve Him, and give Him your life, if you do that you will never, never come to regret it, I promise you that.”
Graham, the fourth of five children of evangelist Billy Graham, is president and CEO of both Samaritan’s Purse and the Billy Graham Evangelistic Association. He preaches all over the world and has authored several books including his autobiography “Rebel with a Cause.”
As a little boy raised in the church, I was often confused by the words of certain songs. For instance, whenever the song “Bringing in the Sheaves” was sung, I thought we were singing about bringing in the “sheeps.” I always wondered where we would get these “sheeps” and why we wanted to bring them in anyway. Spiritual themes, whether spoken or sung, can easily confuse the simple mind of a child; and while I learned quite early that “sheeps” is not even a word, the topic of God’s will continued to be a point of confusion for a long time.
I remember another song we used to sing, usually after a missionary had told depressing stories about the hardships and toils of the mission field: “Jesus, use me / Oh, Lord, don’t refuse me / Surely there’s a work that I must do / And even though it’s humble, help my will to crumble / Though the cost be great, I’ll work for You.”
As wonderful as those words are in and of themselves, there was something about the combination of the lyrics, the music and the context that made me afraid of God’s will for my life. I thought He must have something simply dreadful for me to do. I just knew He was going to send me deep into the jungle where I would live in a mud hut, survive on a diet of grubs and wind up being eaten by cannibals.
I am troubled by the black church's lack of response to the down-low epidemic.
There is no doubt in my mind that it's God's will for homosexuals to be set free from same-sex attraction. I preach Jesus and His saving power, and I know complete healing is possible. But as an African-American pastor, I am deeply troubled by the black church's lack of response to an epidemic called the "down-low," a term used to describe men involved in closet homosexuality, but who pretend to be heterosexual.
In fact, one of the biggest obstacles to reaching gay men with the gospel is the prevalence of "down-low" activity among leaders.
In an online article titled "God, Gays and the Black Church," gay author Herndon L. Davis addresses the issue:
A letter received by American-Iranian Pastor Saeed Abedini, carried out from Iran's notorious Evin Prison, tells of beatings and interrogations, around-the-clock bright lights and ongoing lies designed to create hope—in order to crush it. The remarkable letter also reveals a depth of faith and compassion that could only be granted by God.
Abedini, a U.S. minister, has been imprisoned in Evin Prison in Tehran for his faith since Iranian authorities removed him from a bus in September while he was visiting his homeland.
Abedini's wife, Naghmeh, recently received the letter from her husband through family members who were able to visit him in prison. Naghmeh passed the letter on to Assemblies of God General Superintendent George O. Wood, with the encouragement to share the letter with everyone.
Remember some of the great bands of the 60’s and 70’s? Three Dog Night, Led Zepplin, Blood, Sweat and Tears, Rare Earth, and even the Monkees? What songs do you remember? Probably, songs they recorded during that specific period.
Then think about the Rolling Stones, Paul McCartney, Elton John, or Dylan, and what do you remember? Chances are, you remember something much more recent. That’s because most of the great bands of the 60’s and 70’s got stuck. They couldn’t break out of the era of their initial success. Sure they continue to play, but while they used to pack any arena in America, today you’ll probably find them performing at State Fairs or Indian Casinos.
On the other hand, in spite of their age, the Stones, McCartney, Elton John, and a handful of others are still booking world tours in massive arenas, and have a new generation of fans. Why?